Still Goth After All These Years: From Death Rock to Cemetery Photography
Still Goth After All These Years: From Death Rock to Cemetery Photography The first so-called goth record I ever listened to was Bauhaus' "Bela Lugosi's Dead." I borrowed it in a stack of records from a friend helping to turn me on to punk music in late 1984. Another one in that stack was Dead Hippie out of Los Angeles. I was fourteen years old, sitting in my bedroom with a turntable and a pile of vinyl that would change my life. I didn't know it then, of course. I just knew that "Bela Lugosi's Dead" was unlike anything I'd ever heard—nine-plus minutes of atmospheric dread that seemed to crawl out of the speakers and lurk in the corners of the room. I listened to both these records quite a bit on my turntable until they were ultimately replaced by more recognizable punk offerings like Black Flag, Circle Jerks, and Dead Kennedys. The darkness receded as the aggression took over. Punk was immediate, direct, angry. It made sense for a suburban kid l...